MATS icb 2023: the last week - cover design and recap

The year has nearly come to an end, and I am trying desperately to finish up some of my work to-do’s. November and December were full of sick days and holiday preparation, so I didn’t get as much done as I would have hoped for. But anyway, I am finishing off my series on the “Make Art that Sells” Illustrating Children’s Books-Course with the final part. Week 5 was cover week and I also managed to revise my other pieces.

If you want to read everything from the beginning, I suggest you start here:

1. Can I illustrate a Children’s Book?

2. Creating a character

3. About Disappointment and giving myself a little more Grace

4. Expressions and Emotions - Mine and my Characters

5. Striking a Pose

6. Bringing an Idea to life

Practising my hand lettering

I was pretty sure from the beginning that I wanted to use hand lettering for the cover. So I tried a few different versions of the title. Using a font would have been easier, but I quite like the feeling of a hand drawn letters, and it felt fitting for this story and the style I had in mind.

Creating a cover from scratch

Below, you see all the vertical cover designs I came up with. The first one was based on a very early version of Erin and the bear and I made it when I started the course, because it just popped up in my head. The idea for the other cover design was also in mind as soon as I started to work on the lovely story. That means, I carried this in my head for the entire five weeks. When I finally realised it, I loved it, but it bothered me because it was a vertical cover and I had worked all the pages with a horizontal layout in mind. You can already see that I developed several versions of the cover colour-wise, and it got worse with the final design 🙈.

Coming up with the final design

As much as I loved this cover, I started to think about a horizontal one, that would be a better fit, for all my other page designs. I finally decided to turn Erin and bear around, but to leave the option of the back view for the back cover. This is the final layout I came up with, which I tried in a gazillion different colour-ways and variations (which made it so much easier to decide…..NOT).

It was more difficult than I had thought to find the right balance between text, colours, saturation, readability and character size. I finally settled for a bluish colour, which went with most of the other illustrations. But I kept the red spine cloth because I really like that.

After we finished week 5, I fell in a bit of a hole, and I wasn’t really eager to paint or do anything creative. I had poured so much into those five weeks, and learned so much more than I could have imagined. I just was over saturated and happy to do something else for a while. After some time, I went back to all my pieces from the course and started reworking them, trying to incorporate everything I’ve learned. I was pretty happy with the turnout and I think they look great in my portfolio.

This course was perfect to learn about the world of children’s book illustration and to develop my skills. Some of the key points I learned during those five weeks were:

  • I need to trust myself more and be confident in what I draw

  • I have to take more time to sketch and develop the matter

  • There are so many different styles and ways to draw for children

  • It helps to try and feel the emotions of the character

  • Analysing the story (with every detail) is very important

If you ever want to do a course about illustrating children’s books, I can highly recommend this one. Also check out any other course they offer at makeartthatsells.com. I am in no way endorsed by them, I just think they make brilliant and fun courses where you can learn a lot and work on your skills, you meet lovely people and can make great connections.


Nora

Illustrator and Artist from Cologne / Germany

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structure and foundation for 2024

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Bringing an idea to life - Week 4 of MATS ICB10